Tasked with painting a still life composed of boxes and bottles in shades of white and black, with oil paints in shades of white and black, it’s easy for a scientist like me to think about the usual suspects of depth cues as a path to success. After all, if depth cues are what we use to interpret the environment, then using them should translate to a successful painting, paint skill notwithstanding. Continue reading “In the deep: depth cues and still life”
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